Editor

OpenAI didn’t begin as a traditional company. It began as an idea: that artificial intelligence could be developed in a way that benefits everyone. As a creative team, our role is to help make sure the work behind that idea is understood, as it leaves the lab and meets the world. This company works at the frontier of intelligence. Like any frontier, it’s unfinished, constantly shifting, and still being explored. Our job is to stay close to that uncertainty and help shape how this story gets told, in a way that feels grounded and human. We do this through campaigns, launches, films, brand systems, and work that doesn’t fit neatly into any of those categories yet. This team is for people who want to help shape something from the beginning.

As Senior Editor, you will establish editorial and post-production as a centralized, end-to-end creative capability for OpenAI’s creative studio. You will personally edit high-priority work while building the global systems, standards, talent network, and production infrastructure that enable the studio to move fluidly from early idea to prototype to finished work. We’re looking for an exceptional editor who is also a builder. You will bring strong narrative instincts and finishing craft, but your influence will begin well before footage reaches the edit. You will work alongside creative, production, design, and product teams to shape concepts, test ideas, develop scripts, plan coverage, and identify the right form for each story. You will help create an editorial model that can support work across formats, markets, languages, and timelines—enabling teams to make quickly when speed matters and scale thoughtfully when the ambition requires it. Over time, you will develop the people, partnerships, tools, and operating practices needed to make editorial and post-production a durable global capability. This role is based in Remote Los Angeles, with periodic travel to other OpenAI offices. In this role, you will: Edit high-priority films and content, bringing exceptional judgment across story, structure, pacing, performance, emotion, sound, music, graphics, and finishing. Help teams move from concept to prototype quickly, using editorial as a creative development tool to explore ideas, test narrative approaches, and make possibilities tangible before or during production. Partner with creative teams from the earliest stages of development to shape concepts, treatments, scripts, story architecture, coverage plans, production approaches, and the role of post. Build an end-to-end editorial capability spanning creative development, rapid prototyping, production support, offline editing, motion and graphics, sound, color, finishing, localization, versioning, and final delivery. Define global editorial and post-production standards, including workflows, technical specifications, review practices, media management, asset organization, archival systems, security protocols, and delivery requirements. Design systems that allow work to move efficiently across internal teams and external partners while preserving creative intent, quality, security, and clear ownership. Develop approaches for global adaptation and localization that maintain the meaning, tone, and emotional integrity of the work across languages, formats, platforms, and cultural contexts. Build and manage a trusted global network of editors, assistant editors, producers, motion designers, sound partners, composers, colorists, VFX artists, finishing specialists, and other post-production talent. Match projects with the right editorial talent and production model, balancing creative ambition, subject-matter expertise, location, cultural fluency, speed, and budget. Create thoughtful ways for internal creatives and external collaborators to work together, including briefing, onboarding, review, feedback, and knowledge-sharing practices. Evaluate and introduce tools—including emerging AI-enabled creative